Showing posts with label gnocchi. Show all posts
Showing posts with label gnocchi. Show all posts

Saturday, 29 November 2014

frescobaldi, mayfair - review

Swing a right down an alleyway opposite Hamley’s on Regent Street, and you’ll find yourself on a quiet and short strip of road called New Burlington Place. The only people that seem to know about it are the cabbies that turn into it from adjoining Saville Row for a three-point-turn, and to drop off the well-suited elite; there’s little else there. 

Except, that is, for new Italian fine dining restaurant and wine bar, Frescobaldi. Despite an almost complete lack of passing footfall, little launch fanfare, and having only being open for two weeks, it was almost full late Saturday lunch time. 

People knew it was on this invisible road, and were coming for it specifically.


If the name rings a bell, you may have seen their restaurant on the lower ground floor of Harrods, their branded Laudemio olive oil sold at Fortnum & Mason, or come across their outposts in Florence and at Rome’s Fiumicino airport.

Their major claim to fame though, and the focus around which this new restaurant is based, is that the Frescobaldi family produce wine, and have done for a very long time indeed (more information on that in this recent Independent article). 

It’s an involvement that dates back centuries. During the renaissance, we’re told they traded bottles with Michelangelo for works of art, and they were major financiers to the kings of England, with receipts signed personally by that great wine-quaffer, Henry VIII. 

Most of their nine estates can be found in the hills around Florence and Siena, and a range of wines from the likes of Mormoreto (a single-vineyard cru of Castello di Nipozzano) to the flagship Frescobaldi cuvée (Brunello di Montalcino Castelgiocondo Riserva) take pride of place on the new restaurant’s menu.

To launch this first independent site in the UK, the Frescobaldis have partnered with Good Food Society, a new hospitality venture promoted by fellow Turk, Levent Büyükuğur (also founder of Istanbul Doors, an international restaurant group with over 40 venues).



They’ve done very well with the interiors. A great wall of glass for the frontage, striking frescos of Italian renaissance characters painted onto the tiled walls, a great central column with shelves housing Tuscan paraphernalia and bottles of wine poured by the glass - it’s a handsome space.

At Frescobaldi, you’ll find the largest menu you’ve ever seen, in size rather than content - open, it’s almost as wide as the wingspan of an albatross. The extra maneuverability the broad and comfortable chairs provide are as good for big bottoms as they are for accommodating the perusal of the massive things; best to read them turned sideways for the sake of a smashed wine glass.

In it, a confident and concise menu with less than a handful of entries under each section: antipasti, carpacci, tartare, primi piatti (pasta), to share (salads, cheese and charcuterie), secondi di pesce (fish mains), seconde di cane (meat mains), contorni (sides).


Bread was great and made on site, the soft and salty focaccia still warm from the oven, crisp Sardinian flatbread entirely void of moisture, and the basket comes with a bottle of that Laudemio olive oil to glug at your pleasure. 

There were rippled sheets of seabass carpaccio with pink peppers, soy sauce and fresh curly celery strips, that could have done with a touch of astringency (£16). The lactating Puglian burrata, with rocket pesto and ripe tomatoes, was just about the creamiest I’ve encountered (£12.50). 

I thought the marinated black Angus beef with lentils and courgettes would come as a salad with cooked slices of steak, and I expected it to be dull. It was actually like a plate of joyous lemony bresaola, with a little gathering of fantastically dressed firm green lentils and tiny cubes of courgette (£15).

The wide ribbons of pappardelle with the veal cheek ragu were gorgeous - great bite and deep yellow from yolk. The pappy but pleasing sauce, quite sweet from the meat, needed the contrasting texture it got from a flourish of small crisp rosemary croutons scattered before serving - very good (£15).

There were small and soft dimpled gnocchi with porcini mushrooms and an earthy umami sauce, although I do like my dumplings sporting the marks of a longer fry (£15). The ossobucco was a loaded plate of flaking veal, flanked by a barrier of unctuous white polenta, and with a great slug of marrow that slipped out of the bone after just a little persuasion (£23).

Tiramisu came in an unusual format, a mound of yellow sponge, coloured from extra yolk I presume, with a moat of coffee sauce and bitter toasted beans. It was cleared in the same amount of time it took me to register it had arrived (£9).


They've been smart in making more of their wines accessible to diners, by offering small and reasonably priced pre-grouped wine flights. You get a taste of three glasses (125ml each), and there are different groups of three to choose from, ranging from £16 - £68. I had the Red Flight “Sangiovese” at £21.


Two female maître d's were wearing the same sophisticated monochrome dress that wouldn’t have looked out of place at a cocktail bar, and service was charming and very attentive, if a little too enthusiastic at the beginning of our early lunch reservation, when we were the only occupied table.
  
Fellow diners ranged from groups of American visitors, to distinguished and impeccably dressed Italian matriarchs enjoying a girly lunch, to young couples, to a Turkish family, which may have been a Mr Büyükuğur influence.

Like I said, I don’t know how these people knew it was there. I did, because my visit was in the capacity of critiquing it for the consumer publication for British Turks & Turkophiles, T-Vine (thanks to Mr Büyükuğur’s involvement).

But know about it, people seem to. And now you do too. 

Liked lots: accessible and reasonably priced wine flights, interiors, there’s also a very becoming bar below deck to enjoy both wines and spirits in

Liked less: Frescobaldi won’t win any prizes for ‘bargain restaurant of the week’, but considering the location and setting, it’s not trying to. That in mind, with a bit of considered ordering, you can keep a reign on the bill and enjoy a very good meal

Good for: respite from the hectic shopping streets of the West End, impressing a date

4/5

Find the menu on Zomato.


Afiyet olsun


Note: I was invited as a guest to this restaurant.

Ristorante Frescobaldi on Urbanspoon


Square Meal

Thursday, 27 February 2014

mele e pere, soho - review

There are so many establishments in London dishing out plates that look like they belong in the results of an ‘Italian food’ Google image search - a mass of spaghetti with a generic sauce plonked on top, sporting a pair of perky basil leaves. ‘Italian’ food, as many people know it - by which I mean a bunch of stock pasta and pizza options - is so often the default offering chosen by restaurants, as dishes are deceptively simple and hot carbs with cheese will always please the masses. But it’s also very easy to make them mediocre, or worse still, poor. And a lot of them do. Not to mention these places do little to represent the far-reaching range of regional Italian cooking - it’s not all spag bol and carbonara made with cream *shudders*.

So thank goodness for the very good places in town that do truly represent the variety and quality of Italian food - the likes of Bocca di Lupo, Zucca, Locanda Locatelli and now also, Mele e Pere.


Occupying a prime location on the corner of Brewer Street and Great Pulteney Street in the middle of the dining hotspot that is Soho, the heart of Mele e Pere (“apples and pears”) is found below ground. Continue down a flight of tiled stairs - past the few tables, window bar-seating and mirrored wall adorned with glass apples and pears upon entrance - and diners are greeted with an impressive copper-topped bar and a large yet restful dining space.
My companion was someone who knows the restaurant and the dishes well, so I said that thing that is either well-received or slightly aggravating in this situation; “I eat anything, I’ll leave the ordering to you - whatever you think is good”. The reply to which was, “Well, it’s all good”. Dammit.
But we must get the smoked swordfish carpaccio. And the aubergine parmigiana. Because it’s gorgeous. And the potato gnocchi with truffle - god, that’s really good. And the vitello tonnato”. This was going well.

Before I could prioritise that day’s menu according to which words I wanted to eat the most (they were coming out level-pegging, an unhelpful case of “all of the above please?”), a plate of three fresh-from-the-oven pillowy focaccia buns appeared, their aroma heavy with olive oil, sporting hats of pesto and something cooling I think was crème fraîche (£2.50). Shortly after, deep-fried ascolana olives stuffed with a little heat and served still warm, simultaneously crisp and ripe (£3.50).


Then a plate of partially translucent mackerel tartare with crunchy baby radishes and bergamot; there was a punchy hit of mustard in the mix and piquant pickled cucumbers to cut through the flesh*. It agreed with my oily-fish sentiments entirely: the best way to enjoy them is raw. A complete pleasure. A third plate - quenelles of chicken liver parfait with wine-poached pear, little mushrooms, Italian leaf and a bright yellow pansy - was something I wanted to photograph as much as eat. Velvety, rich and cooling pâté, sweet fruit, sprightly leaves. Another solid entry*.

The swordfish carpaccio bore the colour of a girl’s cheek after its first peck from a boy; flushed pink and with batons of vibrant crisp radishes and cornichons standing to attention - it was delicate and delightful (£6.50). Vitello tonnato is a Piedmontese antipasto of thinly sliced veal covered in a mayonnaise-like sauce, bolstered with capers, anchovies and lemon - all great things that cause the tip of the tongue to smack the roof of the mouth (£6). And then there was the aubergine parmigiana with pesto - a glorious mess of smoky aubergine mush, stretching cheese and sweet tomato meeting in a piping-hot melty mass of what can only be described as unadulterated out-of-the-oven pleasure (£6).

*No individual prices as both were from that day’s pre-theatre menu of three courses and a glass of prosecco for £18.


And the potato gnocchi glowing from saffron with generous shavings of pungent Umbrian black truffle? Well, there’s little point trying to evade it. You know you want it and if it’s there, you will order it. And once it arrives, you’ll be its prisoner until the bowl is clean. There’s probably only five ingredients involved, and the beauty is in its (luxurious, decadent, buttery) simplicity (£7.50 for the small portion).

There was no room for dessert. Even my second stomach - usually reserved for sweets - let me down. I was defeated, by what was a very good lunch; I’m happy to take a beating like that any day.

Mele e Pere has daily changing menus: lunch specials at £8.50, pre-theatre set menus of three courses with a glass of prosecco for £18 (both with entirely different dishes to the a la carte), the option of small or large portions for pasta, substantial mains and a bar specialising in vermouth. 

With such lovingly-prepared and well-executed creativity from Head Chef Andrea Mantovani available at very accessible prices, this is the restaurant card to keep in the back pocket and pull out when - well, whenever.

Liked lots: gnocchi, focaccia, 
aubergine parmigiana, mackerel tartare, location, prices, creativity
Liked less: the main dining area being without natural light
Good for: frequently changing menus, frequent visits, all occasions, quality food at affordable prices, vermouth (so I hear - must return to try some)

My rating: 4/5


Find the menu on Zomato.

Afiyet olsun.


Note: I was kindly treated to this meal by the restaurant thanks to their relationship with my companion.


Mele e Pere on Urbanspoon
Square Meal

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